Michael Douglas Gets a Star on the Hollywood Walk of Fame

November 12, 2018

The seventy-four-year-old veteran actor, director, and producer Michael Douglas just got his star on the Hollywood Walk of Fame! For the prestigious event, he was accompanied by his wife, Catherine Zeta-Jones, and his hundred and one-year-old father, the legendary Spartacus himself, Kirk Douglas.

Michael’s career has spanned over five decades, and he’s won many awards including an Academy Award for his portrayal of the infamous corporate raider Gordon Gecko in Oliver Stone’s Wall Street. He also won an Oscar as a producer for the 1975 groundbreaking sleeper One Flew Over the Cuckoo’s Nest.

In honor of his achievements, we thought we’d take a look at some of Michael’s best, most iconic, quirky, classic roles as well as his under-appreciated ones.

Wonder Boys

Michael Douglas is utterly pathetic and absolutely endearing as professor Grady Tripp in Curtis Hanson’s stoner literary classic Wonder Boys. Michael plays the hapless, intoxicated professor given to Grand Mal seizures to hilarious, as well as dreamy, effect. Taking his suicidal, old movie-obsessed student (Toby McGuire) under his wing, Grady proceeds to shoot the Chancellor’s dog, aid in the theft of Marilyn Monroe’s shawl, and lose his 2,000 page novel in the course of a weekend.  

Robert Downey Jr. is just wicked as Grady’s impulsive editor, Terry Crabtree. Katie Holmes gives another solid indie performance as Tripp’s captivating student, Hannah Green. And Frances McDormand is perfectly fit for the role of Grady’s mistress, Professor Gaskell, Dean of the Academy. It’s all a lovely comedy of errors with Douglas carrying the whole sad, impossible sack on his capable shoulders.

The Game

In the 1997 mystery thriller The Game, we have Michael playing yet again the ultimate silver spoon-fed–even though he eats a cheeseburger and a cupcake on his birthday–American businessman, and doing it to perfection! Douglas’ Nicholas Van Orton has had to take the reigns of the family estate after his father, a corporate Barron himself, commits suicide. Nicholas is plagued by his flaky younger brother, Conrad, played by a mercurial Sean Penn and the one that got away, his ex wife, Elizabeth. Van Orton agrees to participate in a curious game, and his life quickly spirals out of control. Nicholas’ journey is indeed circuitous and strange, but it’s the verisimilitude, the bewilderment, and the ominous resonance that Douglas displays–as a man who’s had it all and lost it all–that is absolutely on point.

Falling Down

In Falling Down, Michael Douglas took a real risk and played defiantly–and indeed violently–against character, portraying the mad-as-hell and not-going-to-take-it-anymore D-Fens. Michael eschews the perfectly-coiffed hair and the silky smooth delivery and replaces his affluent demeanor and ubiquitous nature with a rigid 1950’s-era brush cut, a briefcase that seems like an anchor for his very soul, a crisp nerd pen packet, and a boulder on his shoulder that could crush a Trans Am.

Although there are a number of stellar supporting performances here, it’s really all about D-Fens and his screed on modern society. Go to any random Falling Down clip on YouTube, and you’ll see that this film strikes a real cord for those who feel misunderstood, demeaned, disgusted, and for those who are just plain in a savage mood.

The Streets of San Francisco

Michael proved to be a natural right from the start with his portrayal of the green yet intuitive detective Steve Keller in the iconic TV series The Streets of San Francisco. In many ways, The Streets of San Francisco was your standard crime drama, but the dynamic between the sage veteran detective Mike Stone played by the singular and authentic thespian Karl Malden and a raw and up-and-coming Michael Douglas made the show a classic cops-and-robbers favorite. And an honorable mention in the show would have to be Michael Douglas’ hair! Wow! The young actor went on to pay a lot of bills with that do. And let us not forget, the guy still has a great head of hair to this very day!

How about you? Any Michael Douglas roles that stand out? Please share!


Michael Douglas: Young American Actors Are ‘Too Caught Up in Their Image’

July 10, 2015

Michael Douglas has stirred up a degree of controversy after a recent interview with London’s Independent in which he spoke in unbecoming generalizations about young American actors. According to the two-time Oscar winning actor-producer Hollywood is currently suffering because up-and-coming actors have their priorities all mixed up. Douglas asserted, “There’s something going on with young American actors–both men and women–because the Brits and Australians are taking many of the best American roles from them.”

Well, let’s look at the last two years of Oscar nominations to see if he has a point. In 2015 there’s English Keira Knightley and Benedict Cumberbatch in The Imitation Game; English Eddie Redmayne and Felicity Jones in The Theory of Everything; and English Rosamund Pike in Gone Girl. The 2014 Oscar nominations include Englishmen Christian Bale in American Hustle and Chiwetel Ejiofor in 12 Years a Slave; English actresses Judi Dench in Philomena and Sally Hawkins in Blue Jasmine as well as Australian actress Cate Blanchett in Blue Jasmine. The past couple of years have seen actors from countries outside the U.S. including Somali American Barkhad Abdi from Captain Phillips, German-Irish Michael Fassbender in 12 Years a Slave, Mexican-Kenyan Lupita Nyong’o in 12 Years a Slave, and French actress Marion Cotillard in Two Days, One Night. In addition, some popular Australian actors include “Thor” Chris Hemsworth, “Wolverine” Hugh Jackman, Bridesmaid actress Rose Byrne, Margot Robbie who played Naomi in The Wolf of Wall Street, Divergent‘s Jai Courtney… Do you think Douglas has a point?

According to Michael Douglas, the formal training of American actors is being compromised. “In Britain they take their training seriously while in the states we’re going through a sort of social media image conscious thing rather than formal training. Many actors are getting caught up in this image thing which is going to affect their range.”

Douglas also finds American actors lacking in their ruggedness, saying, “With Aussies, particularly with the males, it’s the masculinity. In the U.S. we have this relatively asexual or unisex area with sensitive young men, and we don’t have many Channing Tatums or Chris Pratts, while the Aussies do. It’s a phenomena.”

Douglas continued, ‘There’s a crisis in young American actors right now. Everyone’s much more image conscious than they are about actually playing the part.” He points out the way so many Americans spend their time on social media venues like Twitter, Instagram, Facebook, and Snapchat. But really, that’s not just an American thing. After all, Aussies and Brits concern themselves with matters of publicity–as do American actors Tatum and Pratt who he mentioned.

Michael Douglas has been acting for 50 years and his career is still going strong. He plays Dr. Hank Pym in the upcoming Marvel comic movie Ant-Man who has the capability to miniaturize people.

Do you agree with any of Douglas’ opinions? Or do you find them to be amiss or maybe even derogatory?

Here’s Michael talking about his role in Ant-Man.

Cut Cut Cut the Harsh Criticism

April 11, 2012

The image of an egocentric, demanding, never-satisfied Hollywood Director is so omnipresent and ingrained in our collective consciousness, it is considered a cliché. But anyone who’s worked in the business for any length of time will tell you this is no cliché; it is a living, breathing reality. A famous example of this syndrome is David O. Russell’s self-immolation on the set of I Heart Huckabbees while berating Lily Tomlin in an epic meltdown. But David isn’t the first to jump the couch–and he certainly won’t be the last. Stanley Kubrick was known to be inconsiderate and rude to the people he worked with. Legend has it he made Shelley Duvall do 127 takes of a single shot while making The Shining. Indeed, it is rumored he bullied her incessantly–a tactic many cineaste’s have credited for her harried, and unhinged performance. Cecile B. DeMille was such a tyrant he joked that he would use live bullets in a battle scene as a way to cut down on the cost of extras. And John Ford, an avowed curmudgeon, was said to have made the great icon of manhood, John Wayne, weep. These are not necessarily people you’d want to invite to your garden party. But what can we learn from these intimidating Titans? And what can you do, humble actor, if you find yourself in the maw of one of these monsters?

First, it’s important to keep the big picture in mind. These people have a high-pressure job to do. They have an enormous responsibility: to deliver a great project. And often there’s a ton of money on the line. They are feeling that pressure every step of the way, from concept to completion. You, on the other hand, are there for the duration of the shoot. This is not to minimize an actor’s contribution, but if a director is giving you a hard time, it is wise to have a little perspective. He or she may be getting heat from the suits, and in turn giving you some degree of heat.

Secondly, remember you were hired to do a job. You’re expected to come through regardless of unpleasant personalities or boorish behavior. Keep your cool, and keep your eyes on the prize. Even if you get angry, be a pro about it and try not to become defensive. You can review in your own mind or with your family members or friends why the director is making an inaccurate judgement about you or your work. Make sure not to attack anyone personally or lash out in violent ways. This can be tricky when you feel someone’s being unfair or undermining your performance and career. But keep in mind, they picked you for a reason, and carry that confidence with you. Michael Douglas told Vanity Fair Oliver Stone approached him on the set of Wall Street and told him, “You look like you never acted before in your life.” Douglas was furious, but channeled his anger into the character of a ruthless Gordon Gecko. The rest is history. Some might argue this was Oliver Stone’s intention from the start.

And lastly, rely on your compassion and discernment. When someone is acting out in immature and unnerving ways, let’s face it, they’re suffering with personal issues. A director who calls an actor worthless may be worried about his or her self-worth; a director’s temper may blow if he or she believes an actor is threatening to cause harm to the project; perhaps the director is feeling jealous of the actor; or the director may simply be having a bad day. Many times, the more aggressive and emotionally charged the message is, the less it has to do with you, and the more it has to do with the director’s emotional shortcomings. Try not to get sucked in. Although it can be challenging in the heat of the moment, a little understanding can go a long way. And then try to decipher whether the critical comment actually contains a nugget of constructive advice or if it’s merely an emotional outburst coming from a person who is loaded with negative emotions in general. Then, only allow helpful advice to penetrate you, and collect your self-confidence to overrule any harsh criticism that’s intended to make you feel bad.

Some say Dennis Hopper had a nervous breakdown on the set of the western, From Hell To Texas. The Director, Henry Hathaway, decided to break the wild bronco Dennis by forcing him to do the script line for line, and to eschew any improvising. This was anathema for the budding Method actor and free spirit. After 86 takes and fifteen hours, Hopper finally broke and complied with the director’s wishes. “It was devastating,” Hopper later said. “It had a huge effect on my life. I learned that the director is the director, and you can’t really fight him very far. You just can’t.” If that’s not straight from the horse’s mouth, I don’t what is.