Audition monologues are an efficient way for casting directors to quickly become acquainted with actors, observe their type, assess their present level of skill and learn what kinds of roles they most relate to.
However, some monologue practices interfere with casting’s ability to view actors in their best light and are instead distracting and confusing. Here are seven practices to dodge during audition monologues to keep the focus right where it belongs—on your performance.
1. Avoid Shock Monologues
Sometimes actors resort to using shock value to either stand out from the competition or seem edgy. Unfortunately, using hot political topics of the day, religious material or iffy sexual subjects can make casting feel uncomfortable or even offended.
When making a first impression, it’s best to avoid pushing people’s buttons. Acting out a murder on an invisible character or miming a death scene can come off as confusing, if not humorous. An authentic performance centered on a subject you care about is a lot more powerful to watch.
2. Drop the Props
It’s best to avoid monologues that involve a lot of prop work. Casting directors want to immerse themselves in the performance, so when a nail file, cigarette or love letter makes a sudden appearance, it can be distracting.
Various casting directors, however, have different levels of tolerance when it comes to the use of props, but one rule always stands firm: no weapons allowed. They don’t want to see nunchucks whirling or pocket knives brandished for obvious reasons. While some casting directors are okay with cell phones, perhaps a coat or pen, most agree that a prop should only be used if it’s essential to the content of the scene.
Regarding chairs, sitting during a monologue can work out well, but certain performances seem stifled while seated, so consider whether you’ll sit or stand beforehand.
3. Sidestep the Miming
Unless casting requests talent to do so, miming is best avoided. Talking on an invisible phone or taking a slug of pretend beer has a comical effect and appears amateur.
Miming during a monologue has the potential of turning into a game of charades: Did she slam a door or swat a fly? It’s too confusing to the viewer. If the material requires a little prop work, mime to a minimum and keep the piece moving forward.
4. Avoid Using an Accent or Dialect
Unless specifically requested to speak with an accent or dialect, actors should use their natural voice to prevent any confusion about their identity. Casting needs to know who they’re dealing with when they select talent. Any mastered accents or dialects should be listed on the actor’s resume.
5. Don’t Talk to the Air
During the monologue, pick a focal point to represent the character with whom you’re speaking. Imagine how this person is reacting to the speech as it unfolds and act accordingly.
Unless asked, avoid looking at casting directors while performing a monologue. Doing so can bring them out of the role of the observer and instead put them on the spot as if they’re part of the scene. It can also make casting feel uncomfortable.
That said, do make sure to look in a direction where it’s easy for casting directors to see your face as you speak.
6. Don’t Rush Your Delivery
Take your time to demonstrate you understand the true essence and artistry of the material. Casting is drawn in by your subtle emotion and the clarity of your words. It’s easy to miss the opportunity to connect with the material and the audience if you’re rushing.
7. Avoid Picking Popular Monologues
Casting directors see the same audition monologues delivered repeatedly as the same monologue books and resources are available to everyone. Selecting an often-used monologue makes actors blend in with the crowd and conveys they didn’t put much thought into choosing material tailored to themselves.
It’s better to find something more obscure to distinguish yourself. Be creative. You could perform a monologue using the lyrics to a poignant song, a passage from a favorite book or a character in a lesser-known Netflix series.
Focus on a truthful, authentic performance and the rest will fall right into place.
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You may also like:
- Choosing an Audition Monologue
- How to Choose an Audition Monologue, According to Casting Director Erica Arvold>
- Tips for Performing Your Best Monologue
