script analysis

One of the first things any actor does when he get a script is to look at the lines. What do I have to say? How will I memorize all this? The attention is all on the words and not messing up! Going up on your lines at a casting session, on stage or on set– it’s the actor’s nightmare.

This is a far cry from what an actor should be concentrating on.

What is an actor’s real job? It is to BE another person and live the life of that character in the script. It is not just going up on stage or in front of a camera and spitting out the dialogue to perfection. Sure, one needs to know the lines, which are the thoughts of the character, but first one has to BE the person who has those thoughts.

Some of the greatest moments of a performance can happen “between the lines”. Those moments of thinking the thoughts of the character, reacting or responding, without speaking any lines, living the life of the character as it is happening.

A vital part of bringing a character to life is knowing how you think about things as the character and letting it affect the next thought that they have.

It’s what an audience wants to see, a real person having a real experience. A person who listens, processes information given by other characters, thinks and then says what they think. Living between the lines as a real person would.

Knowing who you are as the character, how they think and allowing yourself to live “between the lines” will help make the dialogue and the character come alive!

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